I don’t know why I was thinking about this most amusing of meters this morning, but it occurs to me that our good readers might help me add to the arsenal that I deploy when I teach Emily Dickinson, George Herbert, and other users and abusers of the fourteener.
For those who don’t remember, the fourteener is a poetic form, most common in English-language poetry, that has an iambic tetrameter line, then an iambic trimeter, then an iambic tetrameter, then an iambic trimeter. In other words, there are fourteen poetic syllables that get accented, thus the fourteener.
If you haven’t thought about it before, you probably didn’t realize just how many familiar English-language tunes use this form. Just a few of them are the following:
- “Amazing Grace” (hymn)
- “Peaceful, Easy Feeling” (Eagles–verses only)
- “The Mickey Mouse Club Song”
- “Theme from Gilligan’s Island”
I heard a fly buzz when I died;
The stillness round my form
Was like the stillness in the air
Between the heaves of storm.
The eyes beside had wrung them dry,
And breaths were gathering sure
For that last onset, when the king
Be witnessed in his power.
I willed my keepsakes, signed away
What portion of me I
Could make assignable,-and then
There interposed a fly,
With blue, uncertain, stumbling buzz,
Between the light and me;
And then the windows failed, and then
I could not see to see.
(If it helps, when you do the Dickinson-Eagles, try this out for a chorus: “And I’ve got a peaceful, easy feeling/ And that old fly won’t get me down/ ‘Cause I’m already buried underground.” If I played guitar, I could probably also ruin the Eagles for my classes.)